Looking for a tax deductible cause to support? Look no further!
In a normal world, all of our ticket-sale profits are put towards our next project, but this year much of our program, including our most popular annual event, the Good Friday Musical Meditation, has been cancelled due to Covid. Despite this, we're truly optimistic that the future will hold wonderful opportunities for creative endeavour. For example, we're champing at the bit to bring you a brand new production of Bach's Christmas Oratorio in December, which will provide paid engagements for local orchestral professionals and soloists, but we need financial support to do it. This exciting new project also cries out to be professionally recorded, which will be well worth the additional cost.
To make a secure online donation, please use the button below:
In a normal world, all of our ticket-sale profits are put towards our next project, but this year much of our program, including our most popular annual event, the Good Friday Musical Meditation, has been cancelled due to Covid. Despite this, we're truly optimistic that the future will hold wonderful opportunities for creative endeavour. For example, we're champing at the bit to bring you a brand new production of Bach's Christmas Oratorio in December, which will provide paid engagements for local orchestral professionals and soloists, but we need financial support to do it. This exciting new project also cries out to be professionally recorded, which will be well worth the additional cost.
To make a secure online donation, please use the button below:
Coronavirus Situation
As restrictions gradually ease in Australia, we are taking careful steps towards creating beautiful music again. This is an ever-changing space, with many factors to consider, the most important of which is the safety of our audience and our singers. We're looking at performance options which will maximise both of these. Watch this space for updates!
In the meantime, we wish you all the very best of health and safety.
As restrictions gradually ease in Australia, we are taking careful steps towards creating beautiful music again. This is an ever-changing space, with many factors to consider, the most important of which is the safety of our audience and our singers. We're looking at performance options which will maximise both of these. Watch this space for updates!
In the meantime, we wish you all the very best of health and safety.
This is our recording, taken from the "Soul Journey" CD, of Ian McKinley's beautiful Before the Morning Star, posted in memory of our dear friend, colleague and mentor. We will always be grateful for what Ian so generously gave us.
We hope you'll enjoy this recording of Trond Kverno's setting of Ave Maris Stella, taken from our CD "Soul Journey". The ancient text, seen by some as presenting Mary as a loving mother, seemed ideal for Mothers Day.
To make up in a small way for not being able to present our Good Friday concert, we've made excerpts from our 2002 CD recording of that year's Good Friday Musical Meditation available to listen to for free. We hope you find some solace in this lovely music.
To help you through the coming months, we intend to post some tracks from our CDs for you to listen to for free. The first is available below, the beautiful and soothing Sure on this Shining Night, by Morten Lauridsen, from our 2016 CD "Luminescence".
Cancellations:
Between Earth and Sky
Saturday 15 August, 3.00pm
St Paul's Anglican Church, Ipswich
Saturday 15 August, 3.00pm
St Paul's Anglican Church, Ipswich
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We hope the world has returned to normal by December so we can bring this exciting project to you...
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What people are saying about Canticum...
About Israel in Egypt with Brisbane Chorale, 2019
"We thought the Israel in Egypt was fabulous and amazing. Great setting and acoustics. The volume control by all the singers in the choir was brilliant. The conductor did a wonderful job. We came out buzzing!"
Audience member, 2019
About Love and Mercy, 2019
"Yesterday afternoon, I went to the Canticum Choir's concert in Caloundra. I was absolutely BLOWN AWAY! I felt as if I'd died and gone to heaven. I couldn't wipe the smile off my face. I felt as if my body was levitating to the ceiling of the church."
Audience member, 2019
About Hopes of Heaven, 2018
Yesterday afternoon I had the greatest joy to attend Canticum Chamber Choir's Hopes of Heaven Concert. I was very nearly reduced to silent tears on numerous occasions. Oh the music! The music was exquisitely moving. It was composed, sung, played, and conducted so very well. I am in awe and very proud of you all! Well done everyone indeed and thank you for such a beautiful concert!
Audience member, 2018
About Seven Last Words from the Cross, 2018
"Thank you so much for the stunning and extraordinary performance on Friday night. I can’t even find the words to describe how the performance seemed to get inside me so I was feeling as though I were part of the story. Anyway, it sure was amazing.”
Audience member, 2018
About Lagrime di San Pietro, Good Friday Musical Meditation, 2017
"What a professional group! We could put you in a concert hall in Paris or Milan and you wouldn't be out of place."
Audience member, 2017
About Women of the Pieta, Brisbane Baroque Festival, 2016
"a delightful part of the Brisbane Baroque Festival, well conceived and planned and superbly executed. As has been my previous experience, Emily draws out the best from Canticum, and on this occasion the women of the choir sang with precision and warmth. It was an interesting experience to hear the women sing Vivaldi in 4 voices – it was a delicate and rich but no less strong sound quite different from that produced by men singing the bass and tenor lines"
Canticum Follower, 2016
About Northern Light, Southern Star, 2015
"Attended afternoon concert by Canticum Chamber Choir - the last words of the James Agee poem "sure on this shining night I weep for wonder" is as good a description of their luminescent singing as any compliment I could give - congratulations to the choir and to Emily Cox"
Canticum Follower, 2015
About Dido and Aeneas, Brisbane Baroque Festival, 2015
"Of course, Purcell’s most memorable characters are the witches ... they don’t just steal the show, they hot-wire it, drive it away into a wall and then cackle about the whole thing in the pub afterwards"
Limelight Magazine Live Reviews, April 2015. See full review here
About Good Friday Musical Meditation, 2014
"..and so thank goodness for Emily Cox and her superb semi-professional Canticum Chamber Choir, now in its 20th year. The Sacred Heart Church at Rosalie was full to overflowing on Good Friday with people eager to hear some of the most sombre and moving music ever composed, ranging from the Tudor composer Thomas Tallis to the 20th century Hungarian Gyorgy Deak-Bardos and his agonising Eli Eli with its shattering choral glissandi"
Daily Review, 2015. See full review here
About Dream of Gerontius, 2014
"this performance was a testament to her influence (Emily Cox) in many directions, particularly demonstrated by her choirs, the Brisbane Chorale and Canticum Chamber Choir, whose vocal forces produced Priest’s Assistants, Angelicals, Demons, Voices on Earth and Souls in Purgatory. Precision, clarity, control and great musicality characterised their singing"
4MBS Classic FM, 2014. See full review here
"We thought the Israel in Egypt was fabulous and amazing. Great setting and acoustics. The volume control by all the singers in the choir was brilliant. The conductor did a wonderful job. We came out buzzing!"
Audience member, 2019
About Love and Mercy, 2019
"Yesterday afternoon, I went to the Canticum Choir's concert in Caloundra. I was absolutely BLOWN AWAY! I felt as if I'd died and gone to heaven. I couldn't wipe the smile off my face. I felt as if my body was levitating to the ceiling of the church."
Audience member, 2019
About Hopes of Heaven, 2018
Yesterday afternoon I had the greatest joy to attend Canticum Chamber Choir's Hopes of Heaven Concert. I was very nearly reduced to silent tears on numerous occasions. Oh the music! The music was exquisitely moving. It was composed, sung, played, and conducted so very well. I am in awe and very proud of you all! Well done everyone indeed and thank you for such a beautiful concert!
Audience member, 2018
About Seven Last Words from the Cross, 2018
"Thank you so much for the stunning and extraordinary performance on Friday night. I can’t even find the words to describe how the performance seemed to get inside me so I was feeling as though I were part of the story. Anyway, it sure was amazing.”
Audience member, 2018
About Lagrime di San Pietro, Good Friday Musical Meditation, 2017
"What a professional group! We could put you in a concert hall in Paris or Milan and you wouldn't be out of place."
Audience member, 2017
About Women of the Pieta, Brisbane Baroque Festival, 2016
"a delightful part of the Brisbane Baroque Festival, well conceived and planned and superbly executed. As has been my previous experience, Emily draws out the best from Canticum, and on this occasion the women of the choir sang with precision and warmth. It was an interesting experience to hear the women sing Vivaldi in 4 voices – it was a delicate and rich but no less strong sound quite different from that produced by men singing the bass and tenor lines"
Canticum Follower, 2016
About Northern Light, Southern Star, 2015
"Attended afternoon concert by Canticum Chamber Choir - the last words of the James Agee poem "sure on this shining night I weep for wonder" is as good a description of their luminescent singing as any compliment I could give - congratulations to the choir and to Emily Cox"
Canticum Follower, 2015
About Dido and Aeneas, Brisbane Baroque Festival, 2015
"Of course, Purcell’s most memorable characters are the witches ... they don’t just steal the show, they hot-wire it, drive it away into a wall and then cackle about the whole thing in the pub afterwards"
Limelight Magazine Live Reviews, April 2015. See full review here
About Good Friday Musical Meditation, 2014
"..and so thank goodness for Emily Cox and her superb semi-professional Canticum Chamber Choir, now in its 20th year. The Sacred Heart Church at Rosalie was full to overflowing on Good Friday with people eager to hear some of the most sombre and moving music ever composed, ranging from the Tudor composer Thomas Tallis to the 20th century Hungarian Gyorgy Deak-Bardos and his agonising Eli Eli with its shattering choral glissandi"
Daily Review, 2015. See full review here
About Dream of Gerontius, 2014
"this performance was a testament to her influence (Emily Cox) in many directions, particularly demonstrated by her choirs, the Brisbane Chorale and Canticum Chamber Choir, whose vocal forces produced Priest’s Assistants, Angelicals, Demons, Voices on Earth and Souls in Purgatory. Precision, clarity, control and great musicality characterised their singing"
4MBS Classic FM, 2014. See full review here
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